1. Carolina Window Through the glass, spillage-- no longer half-explaining the story--becomes the story: limb tree thicket until, further, the wooded miles. A field of view, which is to say finite. Making what is continuous and whole seem discrete, divisible, as if to the material world and our vision of it could be assigned the same properties, which is impossible--a variety, at best, of hoping. Not hope itself. II. Window, Graham Chapel Against the figured pane the hours lean, almost-- time a ghost, granted only part of its wish: substance, but without visibility.--Color, or the light, angling shine, something gives to the face of Christ the look of one who understands, like never before, damage as the song with which the sleeve of God comes lined. Necessity to shadow, as any wind to the branch inside it. There’s a flaw in the glass. |
© 2000 Carl Phillips