Though a previousness, cushioned by dark, aggregates the room (for there is no disparity), a room is brought into existence, the activity of-- Here Liv is letting herself feel as she feels, her will yielding to streams, the lyric field of her everyday depths. Her presence is. It's come along, is lost, is loss, is wallside reconciling: can I love now please? Or in inclusion she bursts into a hood of tenderness: the body's anguish and flesh and all reflected in the absorbed atmosphere soaking her being, then the self feels deeper the depicted insistence engaged, its essential nest, its scape-- And always and each contiguous thought, approaching the distance, augments. Viewed against, the mind reshapes and here is refuge without its tent. All thatŐs resolved plots against her dividing self, binding her as if any intervening space is recess for her grave, an equivalence overlaying presence. Can I love now please? |
from Plot
Grove Press, 2001